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Blog posts tagged with 'embroidery designs'

Appliqué Basics
Appliqué Basics

Appliqué with your embroidery machine is fun and easy once you know a few tricks! In this tutorial you’ll learn how to use PDF templates included with appliqué designs to precut pieces for accurate and professional machine embroidered appliqué.

Skill Level

Basic embroidery and computer skills.

What You’ll Learn

  • How to use simple yet creative techniques to expand your embroidery options
  • How to use a template for hand-cutting appliqué pieces
  • How easy and versatile appliqués are with embroidery

What You’ll Need

  • Appliqué design with a template file (PDF)
  • Fusible tearaway stabilizer or freezer wrap (I use the tearaway since it is sized to my paper)
  • Computer with Adobe Acrobat Reader and an ink jet printer
  • Temporary embroidery spray adhesive (“TESA”) and/or fusible web (I prefer a double-stick pressure sensitive web like Pellon EZ Steam II)
  • Embroidery threads
  • Tweezers
  • Double curve appliqué scissors
  • Appliqué tacking iron

Some collections may include an SVG file or an FCM file (Brother ScanNCut format). These are designed for use with a digital cutter. Follow the directions with your cutter to use these files. Prepare your fabrics as for hand cutting and apply a fusible web product. Pressure sensitive (double or single stick) fusible web products may not be suitable for cutters; the sticky web adheres to the mat too easily and comes off the fabric. Test various fusible web products to find one you like. Fuse it securely to your fabric but avoid overheating that can melt the adhesive. You can leave the paper backing on or peel it off for cutting. Test to make sure the web stays fused to the fabric and doesn’t remain on the mat. After cutting the pieces, placing and stitching are no different.

 

Why Appliqué?

Machine embroidered appliqué is one of my favorite techniques! I love the added texture, dimension, color, and pattern that fabric adds to the embroidery that simply cannot be achieved by thread alone. It’s easy, it offers design variety, and it works on a wider range of fabrics and textures than standard embroidery. How else could you embroider a white snowman on a fluffy red towel and not have it turn out pink? (White embroidery thread is not opaque and any high contrast fabric can show through.) Plus, appliqué with the embroidery machine comes out with perfect curves and corners every time!

 

You may have stitched machine embroidered appliqué by placing a patch of fabric over a stitched outline, stitching the fabric over the outline by running that stitch a second time, and then removing the hoop and trimming away the fabric. Once I learned the method described here from the professional embroidery world, I never went back to that method again when working with smooth, firm fabrics. This way of creating appliqué will give a clean, professional look with no “pokies” that scream “amateur!”

 

There are times when the stick/sew/snip method works (I’ll use it when working with dimensional effects like putting batting under a large, simply shaped appliqué). To accommodate this method with Lindee G Embroidery designs, simply back up one color after placing the fabric to sew the placement line again. Remove the hoop, trim away excess fabric (keep in mind the satin stitch only extends beyond this line 1mm so trim closely!), replace the hoop and continue sewing. Whenever using this method, you must take extreme care not to distort the hooped fabric when trimming the excess appliqué away. This becomes increasingly more difficult with intricate shapes and/or multiple appliqués

 

Some Preliminary Notes

If you’ve previously done appliqué with your sewing machine, you likely lraced a pattern onto fusible web, applied it to the back of your fabric, and then stitched it out. This meant you were actually tracing a reversed (mirrored) version of the design.

 

Templates for machine embroidered appliqué are not reversed and are designed to be applied to the front of your fabric. Some fusible web products can be run through an ink jet printer to save you the step of applying a product to each side of the fabric. If you choose to print on the web, then you must mirror image either the design or the templates.

 

Tracing templates onto fusible web is not recommended. You need accurately cut appliqués for a successful result with machine embroidered appliqué. Besides, tracing is far too tedious.

 

Fusible web products require heat to activate the adhesive. Some fabrics are not compatible with heat. The advantage of using a fusible web is that it reduces wrinkling and is added security to reduce raveling if the stitches don’t adequately cover the edge of the applied fabric. Fusible web also adds body, which can be great on some projects like wall hangings but less attractive when you want a softer result such as on quilts or baby clothes. Different fusible webs provide varying degrees of stiffness. There are very stiff versions that work great on a canvas banner and there are very soft ones that are barely apparent once stitched and fused.

 

You’ll want to experiment to see what products work best and are readily available. Start by experimenting with what you find in your local sewing and craft stores. Products can also be ordered online so if your local area is very limited, look to the internet.

 

For items that can’t take the heat, use TESA to temporarily hold the appliqué in place during stitching. If you don’t want to use a spray adhesive, then a glue stick may be an effective substitute. Some TESAs are deactivated with heat (KK2000 is one) so skip the tacking iron step or you will lose the adhesiion.

Ultimately the stitches secure the appliqué to the fabric. If you cut and place your fabric accurately and your fabric is not prone to excessive raveling, you should have a good result. Keep in mind that if you shrink the design, then the satin cover around the edges shrinks and so does your security. Heavy laundering and/or use may also increase the tendency to ravel if a fusible web is skipped.

 

If you want the security of a fusible around the edges with the loft and softness of no web in the center, then you can “window” the fusible. This involves leaving an outer edge of about 1/4” web applied to the fabric with the inner portion cut away.

 

To do this, apply the template to the front of the appliqué piece in the usual manner (full details to come). Cut a piece of fusible web and place it behind the piece. Using your mini iron, fuse the web by pressing from the front along the outer edges and in about 1/4”. Cut out appliqué and then trim away excess fusible from the inside of the design on the back.

 

You may want to try this technique on larger pieces for quilts. Fusible web doesn’t allow the appliqués to “puff up” like hand stitched needle-turned appliqué. While machine embroidered appliqué is unlikely to loft as much and needle-turned, you’ll have a more authentic appearance.

 

Step 1—Prepare Fabrics

Your appliqués will stay smooth and crisp if you preshrink both the appliqué fabrics and the background fabrics. Pre-shrinking all the fabrics will help avoid any uneven shrinkage after your project is assembled. Be sure to smoothly press fabrics before the next fabric steps. I also find that starching the fabrics (both background and appliqué) makes them easier to work with and reduces shifting during the sewing process.

 

Step 2—Print Appliqué Templates & Any Guides

Print out PDF appliqué templates, making sure to print them at actual size. Notice that each piece has the design file name (if large enough) and possibly a number. On multiple piece appliqués this number is the sequence number for placing the appliqué. If several pieces have the same sequence number, it means they are placed at the same stop.

 

Do not let Acrobat resize your template to fit the page. Page Scaling must be set to None for accuracy!

 

The template pages may vary per collection. A design with just one appliqué may have the element repeated multiple times whereas a more complex multi-piece appliqué design may show the pieces as they combine in the design plus another set that is separated for easy cutting. Some collections may have multiple arrangements per design.

 

I prefer to print my templates on a lightweight fusible tearaway or you can use freezer wrap. (I don’t use freezer wrap for embroidery stabilizer, only for templates.) I cut an 11” piece of stabilizer from an 8” roll (about the size of a sheet of paper) and lightly fuse the top and bottom edges to a sheet of printer paper to help it move through my ink jet printer smoothly (and to make sure I print on the non-fusible side!)

 

I find that using heat fusible pattern pieces provides more sticking power over a longer period of time than templates printed on plain paper and held in place with TESA. If your pattern shifts during cutting, you will not be able to cut out an accurate piece and this technique definitely requires precision. I also find that I get more accuracy with this method than when tracing onto the fusible web. Some fusible webs have a waxy coating on the protective sheet and often shift around easily, especially when working with larger or more intricate shapes. With this technique, accuracy is definitely the name of the game.

These templates are created from the placement stitch in the embroidery design and are therefore intended to be applied to the front of the fabric. Some fusible webs can also be run through an inkjet printer. However, these products are applied to the back of your fabric and won’t work as a shortcut unless you mirror the embroidery design.

 

Step 3—Loosely Cut Out Template Pieces

Separate your paper template pieces by cutting loosely around the outlines.

Step 4—Apply Templates to Fabric.

Press the cut out pieces, right side up to the right side of the corresponding appliqué fabric.

Step 5—Apply Fusible Web

I prefer double-stick pressure-sensitive fusible web (Pellon EZ Steam II). Remove the looser paper sheet and arrange your appliqué fabrics on the web. Cut out around the web. I like to very lightly press them with a dry iron to help the fusible stick to the fabric.

One disadvantage of the regular weight EZ Steam II is that it leaves the appliqué feeling somewhat stiff. You might try Pellon EZ Steam II Lite, which is a thinner, lighter weight version. Other fusible web products are available but most of these are only sticky on one side. If you aren’t using a double-stick pressure sensitive fusible web, you will need to press a bit more. Avoid over pressing. If you completely melt the adhesive there will be nothing left to fuse the piece to the hooped fabric.

 

Don’t use steam when pressing fusible web and don’t over heat! Use a Teflon™ pressing sheet or parchment paper to protect your iron and ironing surface from the adhesive.

Step 6—Cut Out Appliqué Pieces

Carefully and precisely cut along the outside edge of each appliqué piece. If I’m preparing for a design I will sew immediately, I like to lightly stick the pieces to a plastic sheet protector in which I’ve place a printout of my design information. (If you haven’t used a double stick pressure sensitive, this won’t work.) Otherwise, I keep them in snack size zipper-type plastic bags. This is especially useful if you are cutting a number of pieces for a large project or multiple projects.

 

Don’t firmly press the piece to the plastic; the fusible web sticks to it very easily and will hold faster to it than the fabric.

Step 7—Embroider Design

If you’re embroidering on quilt-weight cottons, a medium tearaway should be sufficient for embroidery designs that are composed of predominantly appliqué that may also have additional light detail stitching. These types of designs are generally “low impact” and do not require extensive or heavy stabilizing. Make sure your fabric is secure in the hoop and that it will not slip during sewing. If your fabric slips, raw edges of appliqué fabrics may be exposed.

 

As your design sews, the machine will stitch a running stitch guideline for you to place your fabric and then stop to allow you to position the fabric.

Many machines may move the hoop forward to make it easier for you to do this while others will simply stop. If your machine just stops, you may wish to remove the hoop to place your fabrics. Be careful not to disturb the hoop tension and make sure your hoop is correctly attached each time to avoid registration problems (where stitches don’t line up with previous ones).

 

Carefully place the fabric within the stitched line and lightly fuse the center of the appliqué with an appliqué iron. If you fuse the edges too tightly, you will not be able to trim them off later if they extend beyond your stitching. (If you’ve cut your pieces with a digital cutter, then your pieces will fit exactly within the stitched guides.)

 

Continue sewing and the machine will zigzag around the edge of the fabric. Many other digitizers will use a straight stitch for this step; I find a zigzag more forgiving of slight miscuts and misplacements and less likely to push the fabric out of place.

 

I often slow the machine down for the tackdown to make it easy to stop if the fabric should shift.

Stop after the tackdown and inspect your work. If you see that fabric is sticking out beyond these stitches, stop the machine and carefully trim the fabric away or it will be exposed after the final satin stitching is complete. Also check for any “pokies”—raveled fabric threads that may have been freed by the action of the needle.

 

Continue placing each piece as called for in the color sequence until the design is complete.

Press embroidery from the back to complete the fusing.

 

Note 1: Printable templates only work with designs sewn at actual size. If you resize your embroidery designs, you will have to make your own templates. One way is to use a customizing program like Embrilliance Essentials to extract the placement line and print it just like the PDF is printed. A second option is by sewing the positioning outlines on template stock and cutting them out for tracing pieces. To embroider on template stock (mylar quilter’s template or card stock), tape a piece of the template material to the bottom of your hoop and sew without thread in the needle. The perforations are the “outlines” you see on the actual size printed PDF templates. Cut out the template and trace (template face down) on the fusible web paper on the back of your prepared fabric. Mylar quilter’s template will retain crisp edges and corners—and therefore accuracy—with more uses than card stock. Be sure to label your template with a design name, sequence order, and a guide arrow to denote the top.

 

Note 2:These instructions are for medium-weight woven fabrics that can tolerate heat. Loftier fabrics such as polar fleece may need to be cut slightly further away from the template line to accommodate their thickness and will also melt when pressed with an iron. Instead of using fusible web, use a temporary embroidery spray adhesive to hold in place during the sewing process. While a fusible web will permanently fuse an appliqué in place and reduce raveling puckering over washing and wearing, polar fleece, which is a knit, doesn’t ravel and due to the stretchy properties, will not pucker if sewn smoothly in the first place.

Halloween Luminaries
Halloween Luminaries

Crafting with Your Embroidery Machine Use your embroidery machine to punch out a design on paper or metal! While paint adds color to the design, vegetable oil renders parts of the design translucent allowing an eerie glow from the battery operated tea-light within. Fun project for kids of any age! I used ordinary brown paper lunch bags for this project. After experimenting with brown craft paper (also known as postal wrap), I found the bags “glow” better than the heavier craft paper. You can get prettier bags at the craft store but if you want to use them as luminaries, do test one first to see how you like the effect.

Note: These designs are specifically digitized for punch work and are not intended to be sewn with thread.

Supplies

  • Brown paper lunch bags
  • Acrylic paint: brown and orange
  • Small paint brush(es) as desired (small flat acrylic brushes work well)
  • Liquid vegetable oil
  • Size 100 jeans needle (can be an old needle)
  • Painter’s tape
  • Cellophane tape or white school glue to reattach bag
  • Tea lights (battery operated or candles)
  • Paper scissors

Please read all instructions before beginning

 
1. Prepare the paper bag.

Open up the paper lunch bag by cutting down next to the seam and carefully peeling apart the bottom. (A smooth edge steak knife is helpful.) Press with medium hot dry iron to flatten out. Fold down a 1 1/2” cuff on the top edge of the paper bag.

2. Hoop the paper.

While these designs are sized for 100mm x 100mm hoops, it’s easier to work with the paper bags in larger hoop. Depending on how your hoop attaches to your machine, you may have to get creative with hooping to prevent the paper from getting mangled during the sewing process.

 

The paper needs to be taped to the hoop with painter’s tape. Secure the inner ring of the hoop inside the outer, position the hoop and tape the paper to the hoop using. One strip at the top and another at the bottom should be sufficient. Since you aren’t using thread, there is no pull so you just need to a small amount of tape to keep paper attached to the hoop. Gently press the painter’s tape to the paper so that it can be easily removed without damaging the paper.

 

If you only have a small hoop, the paper will need to laid on top of the hoop and taped from the bottom. Take care not to crease the paper. The following photo shows the paper hooped upright.

 

With a larger hoop, the paper can be placed underneath the hoop. I found that a minimum 150x150mm hoop allowed me to hoop the paper sideways with the cuff folded down and on the left without having the paper under the pantograph of the machine. I could then move the design at the machine to the right to get the design positioned where I wanted it. With this placement, the design is rotated 90° counter clockwise.

3. Set up the machine and sew the design.

Insert a large needle. This can be any kind of needle and it doesn’t have to be new. The larger the needle, the more prominent the holes (and the less likely they are to fill in with paint).

Load the design into the machine and rotate or move the design as necessary.

Adjust any settings to permit your machine to sew without thread (turn off the needle thread sensor). You will probably still need to have a bobbin inserted in your machine.

 

Advance to the first stitch in the design. Many machines will sink the needle in the center of the hoop before moving to the first actual stitch. You don’t want a needle hole in the middle of the design! You may want to test your machine first by stitching on small square of paper to see if there is a beginning and/or ending stitch in the center of the design.

Sew the design.

 

4. Paint the design.

All the luminaries are shown on the last page of these instructions. Refer to the color sequence PDF if you are unsure which areas are painted. If you plan to skip the oiling step to create the translucency, you can skip the painting step if desired.

Tip: You may wish to connect the dots lightly with a pencil to make it easier to see where to paint!

 

The paint serves several functions. In addition to adding color when the luminary is not lit, the paint serves as a resist to keep the vegetable oil from seeping into undesirable areas. The untreated paper will wick up the oil very quickly. The paint also adds a little contrast and some color when the luminary is lit. You can get fancy with your painting or just fill it in solidly as I’ve done here.

 

When painting, avoid getting the paper too wet because it will wrinkle. It is better to paint in two or more more lighter coats than one heavy one. Avoid filling in the holes with paint. Apply paint to both sides of the paper. Allow to dry between layers and sides.

Use a pin to clear any holes that get filled in with paint before the paint dries.

Since the acrylics double as a resist, you need to coat the paper well enough; however, it doesn’t have to be heavy. Markers or other products may provide color but are unlikely to protect the paper from the oil seepage.

 
5. Create the translucent areas.

When the paint is dry, sparingly and carefully paint in a small amount vegetable into the areas you want to be translucent. Blot up any excess oil with a paper towel. The paint should protect the areas around the illuminated details. Avoid getting any oil outside of the design area.

 

Hold the finished piece in front of bright light to make sure the oil is evenly distributed. The oil will sink through the paper quite easily so it’s not necessary to paint both sides unless you are really stingy with the oil. The oiled areas will appear darker when unlit and will glow when lit from behind.

 
6. Reassemble the bag.

Using cellophane tape, reattach the back side of the bag. Glue or tape can be used to hold the refolded bottom together. The bags I used measured 3” x 5” across the bottom and I found it easiest to insert an index card and just glue the refold botttom sections to that.

 

Other Ideas

  • Instead of applying the vegetable oil in step 5, use a craft knife to cut out various areas.
  • Instead of applying the vegetable oil in step 5, use paint or markers to color in details.
  • Skip all the painting and just use the punched paper as a luminary.
  • Use the designs to create holiday cards and embellish with inks, pens, glitter, etc.
  • Stitch on colored paper and cut design areas and layer over another colored paper or card stock.
  • Instead of using craft paper, stitch on craft metal used for punched tin work. Shape into a cylinder or other shape and use with real candles

Stylish Farmer’s Market Basket
Stylish Farmer’s Market Basket
NEW! A stylish basket you can stitch will hold all the beautiful vegetable and fruit purchases as you shop your local Farmer’s Market!
Free Design Warnings

3 free designs per week with no purchase,

6 free designs per week with $35 purchase, or

9 free designs per week with $75 purchase.

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